While others make the pilgrimage to genuflect inside Room #8 at Joshua Tree Inn for Gram – you’ll find me in Tipton, sitting under a headstone inscribed “Harold Eugene Clark – No Other.” Today is Gene Clark’s birthday and nobody ever captured the LA experience as poignantly as he did with this.
– . . . → Read More: Gene Clark – Los Angeles, by Pat Thomas
John Renbourn never enjoyed the 20-something beard-driven renaissance of his pal Bert Jansch in Ballard, Brooklyn, Silver Lake or Oakland – but this new 20 song collection of all unreleased early 60’s recordings should help – Beverly Martyn (John’s wife) sings on a few cuts, while Davy Graham and Mac MacLeod sit in on . . . → Read More: John Renbourn – Nobody Knows You When You’re Down and Out, by Pat Thomas
In 1971, Porter Wagoner recorded this perfect description of “The Rubber Room.” You might describe it as “psych-country.” It’s certainly not a pop song. As Waylon Jennings once said, Porter “couldn’t go pop with a mouthful of firecrackers.”
– Pat Thomas is the author of Listen, Whitey! The Sights and Sounds of Black . . . → Read More: Porter Wagoner – The Rubber Room, by Pat Thomas
You can trace the cultural landscape of the 70s – by mirroring it to the music of Rod Stewart – the decade begins with the sublime British folk and American ‘roots-music’ influenced solo albums running parallel with the blues based swagger of his Faces recordings (a good time was had by all) – then . . . → Read More: Rod Stewart – Hot Legs, by Pat Thomas
When Steve Wynn finished producing Chris Cacavas debut solo album in early 1989, I took the master tapes over to the offices of CMJ; College Music Journal. I played this song for the editor and he smiled and looked at me and said “holy shit, this sounds like the Buffalo Springfield jamming with Steppenwolf”. . . . → Read More: Chris Cacavas – Angel on a Mattress Spring, by Pat Thomas
Pat Thomas at Big Pink
Here are 30 bands that I’ve NEVER shared a stage or dressing room with – and I’m totally at peace with that:
1) Pavement 2) Thurston Moore 3) Bonnie Prince Billy 4) Kid Rock 5) Tool 6) Helmet 7) Fleet Foxes 8) Rem (after Bill Berry left) 9) Replacements . . . → Read More: 30 Bands I’ve Never Shared a Stage With, by Pat Thomas
Every couple of years, a new generation discovers folk singer/songwriter Jackson C. Frank – and gets all obsessive about him – similar to Nick Drake, Judee Sill, (and for reasons I’ve never understood) Vashti Bunyan – and yet, oddly not enough people do that with Sandy Denny. Anyway Frank is worth some obsessing – . . . → Read More: Jackson C. Frank – The Complete Recordings, by Pat Thomas
Blending the gospel with the secular; Dylan in New Orleans, November 1981: This show was recorded for a proposed live album, which was never issued (apart from “Heart of Mine”, which appeared on Biograph), Dylan scholar Paul Williams calls this “one of his most inventive tours”, and the setlist — which mixes songs from . . . → Read More: Bob Dylan – Stadiums of the Damned, by Pat Thomas
I had been a resident of San Francisco for all of 24 hrs when I strolled into a South of Market bar in October 1987 and spotted Chuck Prophet propping up a bar stool. I sat down, didn’t introduce myself, then started making comments and asking questions about the other members of Green On . . . → Read More: Chuck Prophet – Brighton 1993 Savannah, by Pat Thomas
I clearly remember Peter Holsapple and DB’s playing “Suspicious Minds” at Scorgies in Rochester, NY circa 1984 and Peter making an impassioned plee for folks not to believe all the myth and horseshit of Elvis and just dig the music – that made a strong impression on me. During that era doing an Elvis . . . → Read More: Elvis Presley – Suspicious Minds Live 1973, by Pat Thomas
In New York City, a gig with Norwegian jazz singer Karin Krog joined by piano maverick Steve Kuhn for $14 is almost “free” – at Joe’s Pub on Wednesday September 30th, at 7:30 pm (one set only) – I think I may even roll into town for this. Click here for ticket info. Here’s . . . → Read More: Karin Krog – We Could Be Flying, by Pat Thomas
I’ve always preferred men over boys and women rather than girls, so when I heard this ‘adult’ version of the Jackson 5 bubblegum hit (recorded just a few months after young Michael took it to the top), I asked myself ‘why in the hell’ did Motown sit on releasing it for 34 years ? . . . → Read More: David Ruffin – I Want You Back, by Pat Thomas
At 8:20 a.m. on September 9, 1971 the Attica Prison riot began. At 9:45 AM on September 13, tear gas was dropped into the yard and New York State Police troopers opened fire non-stop for two minutes into the smoke. by the time the facility was retaken, 10 hostages (Nine of them Prison guards . . . → Read More: John Lennon – Attica State (LIVE) – Apollo Theatre – New York City, by Pat Thomas
This might be on Spotify but I went out and bought this 1974 unreleased album by the late Chris Wood on CD. Wood was the flautist and saxophonist of Traffic. Recorded just after the demise of Traffic in 1974, Vulcan was begun for Island records but shelved in 1978. The sessions featured contributions from . . . → Read More: Chris Wood – Vulcan, by Pat Thomas
Keith Moon – this wack-job changed my life – the hours I spent as a teenager listening to every note that came out of his drum set and trying to emulate his sound and style caused me to get kicked out of bands in high school, got me praised occasionally in more recent years, . . . → Read More: This Wack-job Changed My Life, by Pat Thomas
In the mid-70’s, my parents had a Volvo 122-S that they’d bought new in ’64. It was still running strong and had only an AM radio in it – which every 30 minutes seem to play this song during 1975-1976.
– Pat Thomas is the author of Listen, Whitey! The Sights and Sounds . . . → Read More: Maxine Nightingale – Right Back Where We Started From, by Pat Thomas
Singing from the Floor: A History of British Folk Clubs is the first ever “oral history” of the British folk scene with expressive quotes from Martin Carthy, Shirley Collins, the Watersons, Ashley Hutchings, Wizz Jones, Dave Swarbrick, June Tabor, Maddy Prior, Joe Boyd, Richard Thompson, Clive Palmer – utterly inspiring and essential.
– . . . → Read More: Oral History of British Folk Music a Must Read, by Pat Thomas
It was a “Cold wind in August” with Mick Ronson on guitar, Dr. John on piano – excellent live video footage from 1977.
– Pat Thomas is the author of Listen, Whitey! The Sights and Sounds of Black Power 1965-1975.
Recorded in the summer of 1969 at 1457 National Street in Memphis with Terry Manning on bass, Richard Rosebrough on drums, and Jeff Newman on steel guitar. Produced and engineered by Terry Manning (who had mixed Led Zeppelin III that summer at the same Memphis location). Manning and Chilton flew to LA with the . . . → Read More: Alex Chilton – Just to See You, by Pat Thomas
If 1970’s Journey in Satchidananda was a game changer for you – then prepare yourself for this obscure 1982 ‘cassette only’ release just out on CD. Alice Coltrane‘s vocals are ‘other worldly’ as if she made up her own language (in the form of Vedic Chants) – it’s a spiritual message drowned in a . . . → Read More: Alice Coltrane – Turiya Sings, by Pat Thomas